Category
- Shisha
- 187 Tobacco
- 7 days Tobacco
- Adalya
- Al Fakher
- Al Massiva
- Aqua Mentha
- Banger Tobacco
- BlackBurn Tobacco
- Capital Bra
- Cataleya By Samra
- Jookah Tobacco
- Loyal Tobacco
- Moe's Tobacco
- Nameless
- O's Tobacco
- Oduman Blend
- Revoshi
- Social Smoke
- Swiss Smoke
- True Passion
- Aeon
- Aladin
- Amy Deluxe
- Boost & Dud
- Dutch
- El-Badia
- Mr Eds
- Oduman
- Starbuzz Shisha
- Steamulation
- Bazookas
- Bowls
- Charcoal heaters & burners
- Tubes
- Vase
- El-Badia mouthpieces
- Quasar mouthpieces
Brand
Al Fakher – Grapio Green (Grape Mint)
Al Fakher – Big Blue (Blueberry)
Al Fakher – The Double Crunch
Al Fakher – Vanille
Al Fakher – Orange
Al Fakher – Mint with cream
Al Fakher – Gum mint
Swiss smoke – Hawaii
Swiss smoke – Grape Mint
Swiss smoke – Watermelon
Swiss smoke – Lemon Chill
Swiss smoke – Mint
Swiss smoke – Absolute Zero
Swiss smoke – Double Apple
Swiss smoke – Double Melon Ice
Swiss smoke – Love 69
Social smok – Mint
Social smok – Arctic lemon
Social smok – Cantaloupe chill
Social smok – Berry punch
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.