Category
- Shisha
- 187 Tobacco
- 7 days Tobacco
- Adalya
- Al Fakher
- Al Massiva
- Aqua Mentha
- Banger Tobacco
- BlackBurn Tobacco
- Capital Bra
- Cataleya By Samra
- Jookah Tobacco
- Loyal Tobacco
- Moe's Tobacco
- Nameless
- O's Tobacco
- Oduman Blend
- Revoshi
- Social Smoke
- Swiss Smoke
- True Passion
- Aeon
- Aladin
- Amy Deluxe
- Boost & Dud
- Dutch
- El-Badia
- Mr Eds
- Oduman
- Starbuzz Shisha
- Steamulation
- Bazookas
- Bowls
- Charcoal heaters & burners
- Tubes
- Vase
- El-Badia mouthpieces
- Quasar mouthpieces
Brand
Social smok – Mojito
Social smok – Grape chill
Social smok – Grape
Social smok – White Gummy Beat
Social smok – Grapefruit chill
Social smok – Golden Delicious Apple
Social smok – Wild berry chill
Social smok – Strawberry kiwi
Social smok – Pear chill
Social smok – Cucumber chill
Social smok – Absolute zero
Social smok – Twisted
Social smok – Baja blue
Social smok – Watermelon chill
Social smok – Lemon chill
Adalya – Mango tango
Adalya – Ice
Adalya – Watermelon
Adalya – Watermelon mint
Adalya – Berrymix
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.